After coming to the Mirada Festival in 2016 with La ira de Narciso, the playwright and director Sergio Blanco brings another work of autofiction, now thematizing the death of his father. By using contemporary language, The Roar of Düsseldorf covers the limits of art, the representation of sexuality and the search for God. The play was created to honor a young Chilean man who killed himself after watching La ira de Narciso.

Credits
Playwright and director: Sergio Blanco
Cast: Gustavo Saffores, Walter Rey and Soledad Frugone
Video art: Miguel Grompone
Set, costume and light design: Laura Leifert and Sebastián Marrero
Sound design: Fernando Tato Castro
Production and distribution: Matilde Lópes Espasandín
Supported by: Instituto Nacional de Artes Escénicas (INAE) Uruguay, Teatro Solis e Marea